French Academic Painter, 1804-1868,French painter, illustrator and writer. His early training was as a theatrical scene painter and a designer of lithographic illustrations. In Bordeaux he studied with Pierre Lacour (ii) (1778-1859) and worked with Thomas Olivier (1772-1839), chief scene designer at the Grand-Thetre. He subsequently studied in Paris in the studio of the landscape and history painter Julien-Michel Gue (1789-1843) and worked for the decorators of the Thetre Italien.   Related Paintings of Adrien Dauzats :. | Le Passage de Portes de fer en Algerie | Passing Throught hte Iron Gates | Mosque of Al Azhar in Cairo | Le Passage de Portes de fer en Algerie | Le Passage de Portes de fer en Algerie |
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antoine pesne
Antoine Pesne, född 23 maj 1683 i Paris, Frankrike, död 5 augusti 1757 i Berlin, Preussen, var en fransk målare under rokokon. Pesne gick i lära hos sin far, målaren Thomas Pesne, samt hos Charles de la Fosse i Paris. Under åren 1705?C1710 företog han en resa i Italien och vistades huvudsakligen i Venedig, där han anslöt sig till Andrea Celesti, vars måleri tydligt påverkade Pesnes tidiga verk. 1710 kallades han av kung Fredrik I av Preussen till Berlin som hovmålare. Därefter företog han under de följande åren kortare resor till hoven i Dessau (1715), Dresden (1718), London (1723) och Paris (1724). 1733 utnämndes Pesne till ledare för konstakademin i Berlin. Han anses vara en viktig förmedlare av den franska konsten till Brandenburg-Preussen. Pesne var i huvudsak verksam som porträttmålare, men han utförde även talrika vägg- och takmålningar för Fredrik den store i de kungliga slotten. Ett av Pesnes mest berömda konstverk är Dansösen Barbara Campanini (cirka 1745). Detta porträtt med sin lätta och schvungfulla formgivning, det spontana penseldraget och de ljusa, pastelliknande färgerna är karakteristiskt för Pesnes arbeten och för rokokon i allmänhet. På ett virtuost sätt framställer Pesne den med tygblommor dekorerade sidenklänningen. Fredrik den store uppskattade sin hovmålares berömda plein-air-porträtt och lät hänga det på en framträdande plats i sitt arbetsrum i slottet i Berlin.
Eyre Crowe
Sir Eyre Alexander Barby Wichart Crowe GCB GCMG (30 July 1864 - 28 April 1925) was a British diplomat. Crowe was appointed Companion of the Order of the Bath (CB) in 1907, Knight Commander of the Order of St Michael and St George (KCMG) in 1911, Knight Commander of the Order of the Bath (KCB) in 1917, Knight Grand Cross of the Order of St Michael and St George (GCMG) in the 1920 New Year Honours,[1] and Knight Grand Cross of the Order of the Bath (GCB) in the 1923 Birthday Honours. Eyre Crowe was born in Leipzig and educated at Desseldorf and Berlin and in France, with a German mother and a German wife. His father Joseph Archer Crowe had been a British consul-general and ended his career as commercial attache for all of Europe (1882-1896). His grandfather Eyre Evans Crowe was a journalist, writer and historian, and his uncle, Eyre Crowe, was an artist. Crowe first visited England in 1882 when he was seventeen to cram for the Foreign Office examination and at the time was not fully fluent in English.[2] Even later in life it was reported that when angry he spoke English with a German accent. He married his widowed German cousin Clema Gerhardt in 1903. Crowe's wife's uncle was Henning von Holzendorff, who was to become the Chief of the German Naval Staff in the First World War. Due to being half-German, Crowe was often attacked in the press and by Christabel Pankhurst and William le Queux for this during the First World War.
Jean-Francois Portaels
(3 April 1818 - 8 February 1895) was a Belgian orientalist painter and director of the Academie Royale des Beaux-Arts in Brussels. Portaels was born in Vilvoorde. His father, a rich brewer, sent him to study at the Royal Academy, whose director, François Navez, took him on soon after in his own workshop. About 1841 Portaels went to Paris, where he was well received by Paul Delaroche. The Rose VendorAfter his return to Belgium, he won the Grand Prix de Rome in 1842. He then travelled through Italy, Greece, Morocco, Algeria, Egypt, the Lebanon, Judaea, Spain, Hungary and Norway. On his return to Belgium in 1847 Portaels succeeded H. Vanderhaert as Director of the Academy in Ghent. In 1849 he married the daughter of his first teacher, Navez, and in 1850 he settled in Brussels; but when he did not get the post of director of the Brussels academy, and wished, nevertheless, to carry on teaching as his father-in-law had done, he opened a private studio-school, which became one of great significance in the development of Belgian art. Once more he went on his travels, spending time in Morocco; he returned to Brussels in 1874, and in 1878 became Director of the Academie Royale des Beaux-Arts which had so long been the object of his ambition. He died in Schaerbeek.